Tuesday, 9 February 2010

NEW LOOK WEBSITE

I have two new developments to report. The first is the different way the books are displayed on the website. It should not make any practical difference to customers searching for and ordering our books, but underlying what you see are files which can more easily be accessed by Google, which should help our books to be more widely findable.

Having said that, there appear to be a few problems at present with the uploading of our files, and as I write I suspect that half our stock is not showing on the website, but no doubt such teething problems will disappear over the next few days. George Lund has worked very hard on the project, and no doubt will kill this particular problem with his usual speedy ruthlessness.

The second development is one which a week ago I would have been ashamed to admit to, but which I'm now revelling in. I've discovered Twitter.

Not that I had not heard of it. It is hard to avoid any news report on any dramatic occurence in the world which does not these days acknowledge the part Twitter has played in the dissemination of the reports from the ground. However, it was associated in my mind with silly people following the inane ramblings of empty-headed so-called celebrities.

So when a couple of bookselling colleagues whom I respect admitted last week that they "twittered", I was somewhat surprised, but, holding my nose somewhat I ventured onto the Twitter website to see what on earth it had to do with anything serious.

And was pleasantly surprised.

Yes, you can "follow" the musings of your show-biz heroes, if that is your delight, but more to the point, one can give out and receive useful snippets of information about news, and business and all sorts of other things. I am now following such institutions as the British Library, the New Scientist magazine, the Guardian newspaper science pages, Scientific American, some booksellers, and some cycling related activities.

From the point of view of Lund Theological Books I think being on Twitter will enable us to quickly post small items that in theory could go on this Blog, but which in practice have been too little to bother with posting on the blog, which tends to be used for longish ramblings, such as our holidays. Twitter messages are limited to 140 characters, so you can make a quick point very easily.

Over the last month or so we have made various offers of discount on sections of our catalogue. This has been mentioned on the home page of the website as and when appropriate. From now on, any special offers, which may last only a few hours at a time, will only be announced on Twitter. There is a link at the bottom of the our home page, so it won't be difficult to check them out.

I hope also that customers will interact with the business via messages on Twitter. Comments, questions, complaints, compliments, are all welcome, and will be able to be seen by all comers.

They tell me this is the twenty-first century. You are welcome to join me in stumbling around its foothills.

Thursday, 10 December 2009

More Culture

In Dylan Thomas's Under Milk Wood Mrs Organ Morgan complains about her husband - "With Organ Morgan its Organ Organ Organ all the time." With us the last few weeks its "culture culture culture all the time".

A week after hearing Handel's Messiah in Trinity College Chapel we were back there last Thursday to hear Bach's Christmas Oratorio. Its lovely music and the student choir and orchestra did justice to it. Not sure how the relatively scantily clad soloists endured the cold though. It was worse than the previous week, and that was bad. Still, we did get a free glass of wine to cheer us up in the interval.

Saturday we went to London. My sister in law had managed to buy tickets to the opera at Covent Garden and then discover that both she and her husband had arranged to go to watch rugby matches in different parts of the country - so she gave us the tickets for Tchaikovsky's The Tsarina'a Slippers.

We made a day of it, walking first the few hundred yards along the Euston Road from Kings Cross station to the British Library where there's an exhibition on the history and development of photography. Their own holdings are enough to provide a comprehensive overview of the subject and there is a broad range of stunning and intriguing imagery. And lots of early camera equipment too. The story was told of some early photographer who went to Egypt and had the bright idea of having a small caravan like structure which was his darkroom and equipment store. The locals he travelled amongst were convinced this was where he kept his harem.

Then we tubed (is that a real verb?) to South Kensington to see the newly reopened Medieval and Renaissance galleries at the Victoria and Albert Museum. Stunning. It looks like thirty million pounds well spent. We had about two hours and I reckon saw about a third of the exhibits. In the nineteenth century the V&A must have had collectors out plundering Italy, for half the stuff in the first section we saw appeared to have come from churches in Venice and the Veneto - tombs, sculptures, well heads, the whole east end of some chapel.

Further on are medieval altar pieces and other religious artifacts, none of which I can remember their having on display before. Left, detail of the St Margaret Altarpiece, Germany around 1520.








There were some old favourites though, like the Luck of Edenhall (left), a piece of Syrian glass from the time of the crusades, with its own leather carrying case, and the Becket Chasse (pictured above).

Then we ran out of time and had to go and eat, which we did in a Polish restaurant near South Ken tube station which we think is the same one we first ate in around 1973. I had Kartofflen, a sort of potato and onion and bacon tart, with a mushroom sauce. Very good.

Then to Covent Garden, where the seats turned out to be in the Amphitheatre, a steeply raked section a dizzying forty or fifty feet above the stalls. The Tsarina's Slippers (no, we hadn't heard of it either) is a delightfully silly piece, with plot which is partly Feydeau farce and partly Last of the Summer Wine, about a young blacksmith whose young lady won't marry him unless he provides her with a pair of slippers just like the Tsarina's. His mother, the local witch, and eligible widow, is wooed by the Devil and several local men, including the father of the young lady. In one scene the witch is visited by several suitors in turn, and every time the next chap arrives the current one is hidden in a sack. When the son arrives home he drags the sacks out, thinking they contain either coal or his tools. Subsequently, on the way to commit suicide in despair of winning his girl, he finds the Devil in what he thought was his tool sack and forces him to take him to St Petersburgh where he persuades the court to give him a pair of the desired slippers. All then ends happily ever after. The Royal Ballet is involved too, as there are a couple of dance scenes in the second act.

The Guardian critic slated the production. I got the impression she wanted the whole thing transposed to a tractor collective in Soviet Russia. That would have ruined it. The eighteenth century peasant and court costumes were delightful and Tchaikovsky's music is just right for this light piece.

On another subject, you may or may not have noticed that I have a link on the home page of the website to a list of vestments and clerical garments I am selling. They mostly belonged to my recently deceased father in law, though a few were mine. It would be nice to find homes for them.

Friday, 27 November 2009

Handel, Handel, Handel, Purcell/Handel, Handel

We've had a positive feast of Handel this last ten days. For a start English Touring Opera brought five operas to Cambridge, performed one per night over a week. We went to three of them.

We started on the Tuesday with Flavio. Like most Handel operas is has a very silly plot, involving a chap killing his fiance's father for having slapped his own father in the face. Honour is more than love, you know. And a king who falls in love with someone else's girl (who is the sister of the man who does the killing). The king sees the error of his ways in the end and lets her marry the man she loves. Kings always come short in Handel's operas. The singing was good of course, and that is what one goes for.

Next night we saw Teseo. That was a mistake. An even sillier plot - far too complicated to summarise but if I tell you that there's a prince who is pretending not to be himself, and his father the king who at one point tries to poison him, thinking he is a rival, and Medea, who in all the works she occurs in is always a bad lot, and various people who want to marry (including the King of course who comes short at the end). But it wasn't the plot that was the problem. It was that we had seen this very production within the last 18 months or so, and it is now a bit tired. Not all the singers were the same, and they were all right, but it was a bit of a tedious evening.

Thursday we had off so we could miss Tolomeo. We've seen it before, and it all takes place on the shore of some miserable island where everyone gets shipwrecked at various times and no-one recognises anyone else, and they fall in love with the wrong people and they try to murder people they shouldn't, like their brother. Tolomeo is the rejected son of Cleopatra. She never appears (probably put off the sea after Actium) but is a malevolent force behind all the action. So unlike the home life of our own dear Queen.

Friday we heard Alcina. That's one adapted from Ariosto, where a wife comes (in disguise of course) to an island to rescue her husband who has been ensnared by the wicked enchantress Alcina, a sort of Circe character. Ruggiero, the husband is as wet as a fresh plaice, but he was sung beautifully by a most ravishing young New Zealandish singer, Wendy Dawn Thompson, who I would go a long way to hear again. Of course she should have been a castrato, but they don't seem to make them any more, which is a pity.

Saturday we didn't go to see Ariodante. That's another opera adapted from Orlando Furioso, but there isn't much adaptation. The characters are called Ginevra, Dalinda, Polinesso, Ariodante - and Donald. I can't remember the passage in Ariosto, but I am pretty sure he wasn't called Donald in the original. Nor was he a Presbyterian minister. I expect he was a king. But that is the extent to which Handel has adapted the original.

The main reason for not going to Ariodante was the fact that we already had subscription tickets to an Academy of Ancient Music concert at West Road, the University concert hall. This turned out to be the highlight of the week for me. In the first half Carolyn Sampson sang music by Purcell. In the second half she sang works by Handel. She is a magnificent singer, with real presence. (Next night we heard her again on Radio Three, singing from Westminster Abbey.) It would not worry me if I never went to an orchestral concert again. The human voice is what moves me, not artificial contraptions, however well played. But of course Carolyn Sampson's recital would not have been half as good without the orchestra behind her. Her Let the Bright Seraphim from Sampson, was a duet/duel with the trumpet. It sent shivers down my spine.

We had a rest for a few days, and then went to Trinity College last night to hear the Music Society put on the Messiah. It wasn't perfect, but it was good, and in some parts very good, with some cracking good young soloists. It was cold though. Apparently Trinity are cutting down on the heating bills by turning it off. With that great quadrangle they should put in some ground source heating, and a few solar panels on the roofs wouldn't come amiss either.

Anyway, a good week, music wise.

Friday, 20 November 2009

Spanish Holiday October 2009

On Saturday 10 October Rosalind and I set off from Stansted airport in an Easyjet plane for Malaga. This was to be our big summer holiday for this year - we reckoned on the weather in the south of Spain being warm enough to call it a summer holiday.

The plan, meticulously worked out, was to spend a couple of nights in Malaga then work our way north, staying in Granada, Seville, Cordoba and Madrid before getting an overnight sleeper to Paris followed by the Eurostar to London. All the hotels were booked, and all the trains, thanks to the website Seat 61. The only journey not booked was a bus trip from Malaga to Granada. We reckoned that the train route was too indirect and long, and that a bus would be quicker. It wasn't till a few days before we left home that we realised that the day we had chosen for this bus trip was Spain's national holiday, and began to wonder if there would be any buses running at all that day.

The most stressful bit of any journey is in my experience getting to and from the airport at the other end. We once spent an hour waiting for a bus at Ancona airport, only to discover, as it sailed past, that we were standing in the wrong place, a couple of hundred metres away from the correct bus stop. So we then had to wait another hour in the sun for the next one. But in Malaga it worked alright and we managed to get off the bus within a couple of hundred yards of our hotel, which we had cunningly chosen between the two most important sites, the cathedral and the Alcazaba, around 100m from each.

Malaga (the link is to further pictures on Flickr) is the nearest airport and big city to the Costa del Whatsit and the Costa del Something Else, where all the British go for their binges of sun and booze, and I guess not many tourists stop there, but it has lots to see, and was an ideal place for our first ever days in Spain. It is a big place - some 650,000 people, but the old part where we stayed is compact but within yards of the modern centre. We walked around a bit on the Saturday afternoon we arrived. It was warm and sunny, and there were parakeets in the palm trees in the park near the harbour. I was surprised at the vegetation, expecting it to be similar to that of Cape Town, which is supposed to have a Mediterranean climate. But Malaga has not only the Mediterranean stuff - oleanders and the like, but a lot of subtropical plants like bananas, which in South Africa you would have to go as far north as Natal to see.

Apart from the odd church we also saw the Picasso museum. He was born in Malaga, and the museum is in an old palace. Not only is there a good collection of his work, given to Malaga by some of his relations, but as a bonus under the palace has been excavated and one can see the quite extensive remains of some Phoenician buildings, they having founded the city originally. It stayed open quite late, then we had supper out of doors near the Cathedral.

The next day, Sunday, was to be our only full day, so we packed in all we could. The cathedral wasn't officially open to tourists, but while searching for breakfast we snuck in while a service was on and were able to get a quick look. We spent the rest of the morning on the hill that holds the Alcazaba. There's the remains of a Roman theatre at the bottom of the hill outside the entrance (though that is being re-excavated or something at present, so it isn't much to see).







The Alcazaba is the Moorish fortress on a long hill which runs parallel to the coast. The walls are extensive, the gardens beautiful, and the views impressive. And the paths are steep. There's a good museum in the remains of the old palace at the top.

Further east from the Alcazaba is a higher hill with more Moorish ruins. In the heat of the day we came down from the lower hill, bought some lunch from a bakery and set off with it to the Castillo de Gibralfaro on this high hill. Hot work, so it was good to sit under the pines at the top and eat. The views from here are even better, and the ruins quite extensive and enjoyable.

We got down the hill in time to find a tourist information bureau who in answer to our worries about getting a bus to Granada the next day said that to be sure thousands of people would want to celebrate the national day by going to see the Alhambra from Granada and we ought to go to the bus station to book NOW. But the bus station was a mile or so away, and the day was hot, and the story didn't seem that likely as we had had to book our Alhambra tickets in advance over the internet. So we went instead to see the Picasso birthplace museum. Not very interesting to be honest.

That night our sleep was disturbed by a phone call from the hotel reception at 1am. They'd had an email from Rosalind's sister.

The message was to call home, and when we did next morning it was to hear that Rosalind's father had died the night before. This led to some discussion as to what to do next. We decided that as things were under control at the Northampton end for the time being we might as well go on to Granada as planned for that day, and work out things as we went along. There turned out to be no problem in catching a bus, and we were in Granada by the middle of the day. It was a matter of going north from Malaga, then east, by which time you are north of the Sierra Nevada, the snowy mountains, the highest range in Spain. Not that we really saw them very well.

Because of the public holiday the bus we caught from the bus station in Granada to get to the centre was diverted, and we had to find our way on foot from somewhere random, but that worked. When we got to the centre we found we were just in time to see a public procession with marchers in medieval costume, bands, and what appeared to be the town council (in modern dress and mostly looking slightly awkward). Granada is another big city - three quarters of a million people, and not at all what I had expected. It was the last bit of Spain that the Catholic Monarchs, Ferdinand and Isabella, conquered, and so has enormous resonance in Spanish history. They are buried in a magnificent chapel which abuts the Cathedral. The Alhambra, which is what everyone comes to see, is another Moorish fortress on a hill, this one on a spur above the city, and one of the wonders of the world.

Our hotel was an old house in the Moorish style in a narrow street on the opposite side of the valley from the spur the Alhambra stands on. It was just up from the river Darro. Further up the hill is the old Moorish quarter, and from the top the views of the palaces of the Alhambra are what all the pictures show. The hotel was a miniature version of the one we stayed in at Aleppo (was it last year?) - open courtyard, rooms looking down and across it, charming. Our room also had a window onto the narrow alleyway the hotel sits in.

We had time to walk up the hill behind us and have a drink in a restaurant garden looking across at the Alhambra, then explore a bit in the centre. There were stalls with hog roasts in a square near the cathedral, but we opted to go back to the hotel and start the process of trying to organise getting home.

Fortunately the hotel had organised internet access for the guests in a corner of a rather unused sitting room. The downside was that it was a very old computer which kept losing its internet connection and having to be rebooted. It also didn't have a printer. We had come to the conclusion that the way to get home now would be to fly from our next scheduled stop, Seville, which has an airport and flights by Ryanair to Stansted. This was successfully booked online, as was the cancellation of our hotel bookings in Cordoba and Madrid. For some reason it wasn't possible to cancel the Paris booking - I think it had been booked through an agency rather than direct. The Seville booking was modified from three nights to one.

Our meal that night was outdoors in a square a few hundred yards up the Darro from our hotel. I came rather short because, despite the earlier hot day, at night there was a cold wind up the valley and I was in my shirt sleeves.





Tuesday morning saw us out early climbing the hill to the Alhambra. Our tickets had been booked online before we set off from home. We had a wonderful day. The Alhambra is gardens, and Moorish palaces, and water and tiles. It was nothing like I had imagined - the hilltop is for a start quite extensive. The caliphs' palace is on the northern side of the hill so as to be sheltered a bit from the hot summer sun, and is all courtyards and shade and trees and formal ponds and different levels, quite higgledy piggledy. Truly a paradise on earth.










Around the middle of the afternoon we'd taken in as much of paradise as we were going to, so went back down the steep walk to the city. We found an internet cafe where we were able to log on and print out the plane tickets we'd bought online the day before, and that done we visited the Capilla Real, where Ferdinand and Isabel (and their daughter, Joanna the Mad and her husband) are buried. It is a treasury of art and decoration. You aren't allowed to take photos, but for once I feel the authorities are quite right to forbid them. And then the cathedral. I am a bit blank about that, but I think it was the place where we saw, in the apsidal ambulatory behind the high altar, a dozen or so glass cases each displaying an illuminated service book around three feet tall. They look sadly neglected. Was tempted to nick a couple, but how on earth does one smuggle, let alone carry, even one volume the size of these?

Supper was outdoors on a square in the Albaicin, the Moorish quarter. I was warmer tonight, having taken precautions, like a jumper. At the end of the meal there appeared three itinerant musicians, a guitarist, an oboist and a young woman singer. They serenaded us with blues songs for a while, then settled quietly on the steps across the square, strumming and singing quietly with a whole group of their friends who'd joined them. That was Tuesday.

On Wednesday, we took as planned our first and last Spanish train journey, from Granada to Seville, where we arrived in the early afternoon. Although is is some 60 or so miles from the sea, Seville was a great port in the middle ages and later. The Vikings even raided it up the River Guadalquivir, and later the golden fleets from the Americas unloaded here. We had just over twenty four hours to see what our originial plan of three days stay would not have been enough for. We did our best.

Our first stop after we arrived was at the station ticket office, where a young man whose command of English was fairly rudimentary went, despite that, out of his way to help us by refunding what he could of the money we had paid for train journeys we were not now going to be able to take. After this encouraging start we found our way to our hotel in the old Jewish quarter, quite near the cathedral. A walk past that towards the river brought us to the 13th century Toro del Oro, and then we walked up the riverside boulevard, a surprisingly broad stretch of land which we later discovered was until ten years or so ago the site of the railway station, now moved to the other side of town where we'd just arrived. As it was getting late in the afternoon we weren't sure what we should try to see, but then we realised that
we were going in the right direction for the Museo de Bellas Artes in a redundant monastery, where we spent the rest of the afternoon immersed in Murillos and Zubarans and other wonderful examples of Spanish art. There were one or two blank spaces on the walls, but we caught up with these paintings a few weeks later when we went to the Spanish religious art exhibition currently at the National Gallery.








I wish I could now remember where we ate that evening. All I do remember is passing a corner of a square filled with ranks of bikes for hire under the splendid Seville scheme. We saw all sorts and conditions, from office gents to students using them around the city centre.

Our last day, the Thursday, was a full one as the plane didn't leave till 9.15 in the evening. Our first visit was to the Hospital de los Venerables, a 17th century old people's home for priests. It has a chapel of some magnificence, and a centre dedicated to the work of Diego Velazquez, who like Murillo, was a native of Seville.




Then to the Real Alcazar, another royal palace dating back to the Moors, where the present Spanish Royal Family still have apartments. It is another riot of courtyards and tiles and gardens. That took the morning.





The cathedral took the afternoon. Built on the site of the 12th century great mosque of the Almodhad rulers, it has one of the biggest cathedral footprints in the world. It is all superlatives. I was moved by the courtyard, full of orange trees. It had been the place where ablutions were performed before entering the mosque. And there is the bell tower, the former minaret, which you can walk up by a ramp rather than the more usual steps in towers. Good views from the top.





It was 36 degrees Celsius that day in Seville. By contrast the temperature at 11pm at Stansted was somewhat colder. I prefer the Seville climate. We were met at the airport by our eldest - very civilized to be picked up like that.

Spain was a great success and we can't now wait to get back to take in the bits of the holiday that we missed. Maybe in the spring.

Monday, 8 June 2009

Poetic acknowledgment of book's arrival

The following "I got your book" email arrived this weekend, and at the risk seeming to blow my own trumpet I have to share it with you. It really made me laugh when it arrived. The author and I can't decide quite what the form is, but set to the right tune it could easily fit into Gay's Beggar's Opera.

The book's arrived, so very fast

I really feel quite stunned.

So very little time has passed

Since mailing Mr Lund.



Condition Fine, all tight and clean,

No bruising, and not sunned.

In fact, exactly as has been

Described by Mr Lund.



The price was fair, the book was good,

No need for a refund.

From what I've seen that never should

Be asked of Mr Lund.



Reader! if buying books online

Is something you have shunned

Remember, you'll do really fine

By using Mr Lund

Wednesday, 27 May 2009

Anti-cyclist Notices

I complained recently in my blog about Dublin about the ubiquitous No Cycle Parking notices.

But how about this one, fixed to railings in Portugal Place in the middle of Cambridge?










I suppose it proves that Cambridge has better educated prejudiced people.

Tuesday, 26 May 2009

Rochester and Diggers

On Saturday I got taken, as a birthday treat, to Diggerland outside Rochester in Kent. It is a kind of theme park owned by a firm that hires out and sells JCB digging equipment. They have several such parks around England. My family had noted my complaint that I had never driven a tractor or any sort of big earthmoving plant. The plan is you pay your entrance fee and then go round the park taking turns on whatever takes your fancy.


You can dig some pretty big holes once you have got the idea of which lever to push in which direction. It takes a bit of getting used to, but it isn't rocket science, so a lot of fun can be had.

The aerial photo was taken from a cherry picker 50 feet up. Rochester Cathedral spire can just be seen slightly right of centre in the distance. In the foreground are many of the Diggerland rides.

Having had our picnic and exhausted the rides (as so often, there's almost as much fun watching other people mess up as in doing it oneself), we went into Rochester itself.


Imposing castle, right next to the cathedral.









The cathedral itself is smallish and Romanesque.

















There's a big light crypt.








The quire has the remains of this fine Wheel of Fortune wall painting.











In a transept is the Baptismal Fresco, claimed to be the first fresco painted in an English cathedral for over 800 years. It was painted over an eighteen month period in 2003-4 by the Russian iconographer Sergei Fyodorov.

Where fresco painting differs from just slapping paint on a wall, is that it is done onto fresh wet plaster. The paint and plaster dry together, thus binding the colour into the material. Only a small portion of plaster can be prepared and painted at a time, since the former dries quite quickly and then can't be used.


When complete the font of the cathedral will be placed in the transept in front of the fresco.

The top, obviously, depicts the baptism of Christ; the bottom left the baptism of King Ethelbert by St Augustine of Canterbury some time round about 600 A.D. On the right newly baptised Saxon Christians emerge from the River Medway and are given communion by Bishop Justus.


The work is quite impressive - one of the best artistic additions to a cathedral in Britain in the last half century.









The baptismal transept from the High Street.






Rochester's High Street is long and pretty. Almost every other building appears to have a plaque on it telling of its appearance in some or other work of Charles Dickens. Some even appear more than once - Eastgate House, an imposing Tudor mansion, is Westgate House in one of his books and The Nun's House in another. All harmless fun and I expect it gets the tourists in.